The Popular Music of the Space Age: CD 16 (1966)

Популярная мусыка космического веча:
CD 16 (1966 г.)

The annual global celebration of "Yuri's Night," commemorating the April 1961 flight of Vostok 1, increases in popularity every year. As we enter the second half-century of human spaceflight, it is a time to reflect on the development of global space culture. It began in the 1950's as two distinct cultures--Soviet and American--reflecting the Cold War rivalry that fueled the Space Race. In the intervening decades there has been a blending of these two initial cultures, other nations have added their cultural voices, and the center of the emerging global space culture has shifted. National space cultures have displayed different emphases on science fiction and UFO themes versus devotion to national astronautic accomplishments. These and other factors may be leading cultural indicators of the vigor of national space efforts and their relevance to the global thrust into the final frontier.

The researcher seeks co-researchers with backgrounds in cultural anthropology and musicology with a strong interest in space history. Of particular interest is collaboration with researchers who are familiar with space-themed music from non-English speaking cultures.

At present, the music collection of nearly 1500 tracks is organized chronologically into 100 segments, each approximating the running time of a compact disc (CD), which include voice clips of important events to provide historical context. The play lists are being rolled out incrementally as research continues. Most of the music can be found online and downloaded free of charge. In addition, a library of song lyrics is in development.

This is music to fly to Mars by. If you listened to one hour every day, you would almost be there at the end of this collection!

CD 16

	Selection Title	Performer	Release Year
1	Distant Stars [Fate in a Pleasant Mood and When Sun Comes Out]	Sun Ra	1966
2	Uhura's Spock and Charlie Ditties	Nichelle Nichols	1966
3	Твоя нежность Your Tenderness	(неизвестный исполнитель) (unknown artist)	1966
4	Calling Planet Earth [Fate in a Pleasant Mood and When Sun Comes Out]	Sun Ra	1966
5	Gemini 8 - Docking to Agena	Mission Audio	1966
6	На взлёт To Take Off	Алексанра Пахмутова Aleksandra Pakhmutova	1966
7	Orbits	Miles Davis	1966
8	Beyond Antares	Nichelle Nichols	1966
9	We Travel the Spaceways [Fate in a Pleasant Mood and When Sun Comes Out]	Sun Ra	1966
10	Interstellar Overdrive (Full Length Version)	Pink Floyd	1966
11	Lights of a Satellite [Fate in a Pleasant Mood and When Sun Comes Out]	Sun Ra	1966
12	Mr. Spaceman	Byrds	1966
13	Space Mates [Fate in a Pleasant Mood and When Sun Comes Out]	Sun Ra	1966
14	Твоя нежность Your Tenderness	Иосиф Кобзон Iosif Kobzon	1966
15	Worlds Approaching [Strange Strings]	Sun Ra	1966

The Ukraine Crisis and the Knot of War

Copyright © 2014 by Thomas Gangale
@ThomasGangale

The Ukraine crisis may be more intractable, and therefore more dangerous, than the Cuban Missile Crisis. Khrushchev did not risk a vital Soviet interest in provoking the latter, thus he was able to declare victory with just Kennedy's public pledge to never again aid an invasion of Cuba, which having failed once, he was loath to repeat anyway. In contrast, it is difficult to disagree with Putin's assessment that keeping Ukraine in the Eurasian sphere is a vital Russian interest; however, the Ukrainian people are looking to Europe for their future, not to Eurasia, and Putin's only hope of holding onto Ukraine is via the use of force, as Khrushchev put it, to pull tighter the knot of war.

Putin has trapped himself by framing the Ukraine crisis in terms of changing the lines on the map: annexing Crimea, and carving rump states out of eastern Ukraine that would be subservent to Moscow. Unfortunately, changing the lines on the map is inherently a zero-sum game; someone wins territory, and the other side loses territory. Kennedy was able to finesse the trade of Soviet missiles in Cuba for American missiles in Turkey, but there is no way to hide the trading of territory. Chamberlain gambled on giving the Sudetenland to Hitler without putting up a fight. The European Union will not make that mistake with Putin, and so he has already lost his gamble.

Despite coming way from the Cuban Missile Crisis with the semblance of a victory, Khrushchev was weakened in his standing within the Presidium, and his political rivals deposed him two years later. It is safe to say that Putin understands Russian history as well as anyone, and that he knows that to lose Ukraine is to lose his presidency. He has no choice but to pull tighter the knot of war. He has already lost, but he may believe that the semblance of a victory lies in making Ukraine and the West pay dearly.

Si Vis Pacem Para Bellum

Copyright © 2014 by Thomas Gangale
@ThomasGangale

"Federica Mogherini, named on Saturday as Catherine Ashton's successor [as the EU's foreign policy chief], said there could be no military solution to the crisis and that while sanctions were being worked on, the diplomatic process would need to continue."

Signora Mogherini, che tipo di merda e quella? Everyone working at your level understands that military actions and diplomatic processes are intertwined. Have you not read Clausewitz's "Vom Kriege?" "War is the extension of policy by other means." Well, surely you have! So why do think you can get away with insulting the intelligence of careful observers any more than Sergei Lavrov can?

Teddy Roosevelt said, "Speak softly and carry a big stick." Al Capone said, "You can get much farther with a kind word and a gun than you can with a kind word alone." These aphorisms speak to the same unfortunate truth: there are times when diplomacy must be backed by the threat of force if it is to be successful.

So, talk to us straight. We're adults, not children. Military actions are going to be among the tools we use to bring about a diplomatic solution that is acceptable. Diplomacy alone is not going to expel Russian troops from Donetsk, Luhansk, or Crimea, and any lesser outcome would be a sell-out of Ukraine. Go ahead, give away pieces of Ukraine just like Neville Chamberlain gave away pieces of Czechoslovakia, and see what happens next, for that is what diplomacy without the threat of force reaps. Always has, always will.

The Popular Music of the Space Age: CD 15 (1965)

Популярная мусыка космического веча:
CD 15 (1965 г.)

The annual global celebration of "Yuri's Night," commemorating the April 1961 flight of Vostok 1, increases in popularity every year. As we enter the second half-century of human spaceflight, it is a time to reflect on the development of global space culture. It began in the 1950's as two distinct cultures--Soviet and American--reflecting the Cold War rivalry that fueled the Space Race. In the intervening decades there has been a blending of these two initial cultures, other nations have added their cultural voices, and the center of the emerging global space culture has shifted. National space cultures have displayed different emphases on science fiction and UFO themes versus devotion to national astronautic accomplishments. These and other factors may be leading cultural indicators of the vigor of national space efforts and their relevance to the global thrust into the final frontier.

The researcher seeks co-researchers with backgrounds in cultural anthropology and musicology with a strong interest in space history. Of particular interest is collaboration with researchers who are familiar with space-themed music from non-English speaking cultures.

At present, the music collection of nearly 1500 tracks is organized chronologically into 100 segments, each approximating the running time of a compact disc (CD), which include voice clips of important events to provide historical context. The play lists are being rolled out incrementally as research continues. Most of the music can be found online and downloaded free of charge. In addition, a library of song lyrics is in development.

This is music to fly to Mars by. If you listened to one hour every day, you would almost be there at the end of this collection!

CD 15

	Selection Title	Performer	Release Year
1	Heliocentric [The Heliocentric Worlds of Sun Ra, V1]	Sun Ra	1965
2	Space Man	Aaron Neville	1965
3	Песня о космической Чайке Song About the Space Seagull	Алексей Мартынов Aleksej Martynov	1965
4	Everyone's Gone to the Moon	Jonathan King	1965
5	Voskhod 2 - EVA	Mission Audio	1965
6	По космосу пешком Space Walk	Людмила Зыкина Lyudmila Zykina	1965
7	Nebulae [The Heliocentric Worlds of Sun Ra, V1]	Sun Ra	1965
8	Gemini 3 - Launch	Mission Audio	1965
9	Fly Me to the Moon	Astrud Gilberto	1965
10	Gemini 4 - EVA	Mission Audio	1965
11	Space Walk	Spotnicks	1965
12	Космическая фантазия (самодеятельность) Space Fantasy (amateur)	Л. Утёсов Исполнение L. Utyosov Ispolneniye	1965
13	Cosmos [The Heliocentric Worlds of Sun Ra, V1]	Sun Ra	1965
14	Космонавт Cosmonaut	Майя Кристалинская Majya Kristalinskaya	1965
15	Space Creatures	Spotnicks	1965
16	Outer Nothingness	Sun Ra	1965
17	Gemini 6 Launch Abort	Mission Audio	1965
18	Wernher von Braun	Tom Lehrer	1965
19	Cosmic Chaos	Sun Ra	1965
20	Fly Me to the Moon	Tony Bennett	1965
21	Early Bird	Tornados	1965
22	Gemini 7 and Gemini 6A - Rendezvous	Mission Audio	1965
23	Mariner No. 4	Ventures	1965

The Popular Music of the Space Age: CD 14 (1964)

Популярная мусыка космического веча:
CD 14 (1964 г.)

The annual global celebration of "Yuri's Night," commemorating the April 1961 flight of Vostok 1, increases in popularity every year. As we enter the second half-century of human spaceflight, it is a time to reflect on the development of global space culture. It began in the 1950's as two distinct cultures--Soviet and American--reflecting the Cold War rivalry that fueled the Space Race. In the intervening decades there has been a blending of these two initial cultures, other nations have added their cultural voices, and the center of the emerging global space culture has shifted. National space cultures have displayed different emphases on science fiction and UFO themes versus devotion to national astronautic accomplishments. These and other factors may be leading cultural indicators of the vigor of national space efforts and their relevance to the global thrust into the final frontier.

The researcher seeks co-researchers with backgrounds in cultural anthropology and musicology with a strong interest in space history. Of particular interest is collaboration with researchers who are familiar with space-themed music from non-English speaking cultures.

At present, the music collection of nearly 1500 tracks is organized chronologically into 100 segments, each approximating the running time of a compact disc (CD), which include voice clips of important events to provide historical context. The play lists are being rolled out incrementally as research continues. Most of the music can be found online and downloaded free of charge. In addition, a library of song lyrics is in development.

This is music to fly to Mars by. If you listened to one hour every day, you would almost be there at the end of this collection!

CD 14

	Selection Title	Performer	Release Year
1	Fly Me to the Moon	Doris Day	1964
2	Зато мы делаем ракеты! But We Do Rockets!	(неизвестный исполнитель) (unknown artist)	1964
3	Звездная колыбельная Stellar Lullaby	(неизвестный исполнитель) (unknown artist)	1964
4	War of the Worlds	Atlantics	1964
5	Out of Limits	Marketts	1964
6	Fly Me to the Moon	Earl Grant	1964
7	Rocket Number 9 [Featuring Pharoah Sanders and Black Harold]	Sun Ra	1964
8	Our Favorite Martian	Bobby Fuller	1964
9	Fly Me to the Moon	Frank Sinatra	1964
10	Countdown	Buddy Lee and the Satellites	1964
11	Chicken Astronaut	Du-Tones	1964
12	Satellite	Fallouts	1964
13	My Little Martian	Floyd Robinson	1964
14	Collision Course	Marketts	1964
15	We're Going UFOing	Jimmy Durante	1964
16	Voskhod 1 - In Orbit	Mission Audio	1964
17	Ты лети ракета наша Fly Our Missile	Хор Пятницкого Pyatnitskij Choir	1964
18	Space Mates [Featuring Pharoah Sanders and Black Harold]	Sun Ra	1964
19	Rocket to the Moon	John Wesley Caves	1964
20	Space Cowboy	Launchers	1964
21	Я - Земля I Am Earth	Людмила Зыкина Lyudmila Zykina	1963
22	Journey to the Stars	Ventures	1964
23	Spiral Galaxy [Other Planes of There]	Sun Ra	1964
24	Saturn	Marketts	1964
25	Count Down	Men of Chantz	1964
26	Count Down (part 1)	Robert Hall	1964
27	Звёздный городок Stellar City	(неизвестный исполнитель) (unknown artist)	1964
28	Moon Dawg	Surfaris	1964
29	Moon Relay	Vistas	1964

The Popular Music of the Space Age: CD 13 (1963)

Популярная мусыка космического веча:
CD 13 (1963 г.)

The annual global celebration of "Yuri's Night," commemorating the April 1961 flight of Vostok 1, increases in popularity every year. As we enter the second half-century of human spaceflight, it is a time to reflect on the development of global space culture. It began in the 1950's as two distinct cultures--Soviet and American--reflecting the Cold War rivalry that fueled the Space Race. In the intervening decades there has been a blending of these two initial cultures, other nations have added their cultural voices, and the center of the emerging global space culture has shifted. National space cultures have displayed different emphases on science fiction and UFO themes versus devotion to national astronautic accomplishments. These and other factors may be leading cultural indicators of the vigor of national space efforts and their relevance to the global thrust into the final frontier.

The researcher seeks co-researchers with backgrounds in cultural anthropology and musicology with a strong interest in space history. Of particular interest is collaboration with researchers who are familiar with space-themed music from non-English speaking cultures.

At present, the music collection of nearly 1500 tracks is organized chronologically into 100 segments, each approximating the running time of a compact disc (CD), which include voice clips of important events to provide historical context. The play lists are being rolled out incrementally as research continues. Most of the music can be found online and downloaded free of charge. In addition, a library of song lyrics is in development.

This is music to fly to Mars by. If you listened to one hour every day, you would almost be there at the end of this collection!

CD 13

	Selection Title	Performer	Release Year
1	Частушки о космонавтах Ditties About the Cosmonauts	Мария Мордасова и Гос.Воронежский русский нар. Хор Mariya Mordasova and the State Russian Folk Choir of Voronezh	1963
2	Red Rocket	Microns	1963
3	Other Side of the Moon	Moon Men	1963
4	Голубая планета The Blue Planet	Образцовый военный оркестр Exemplary Military Orchestra	1963
5	Я - Земля I Am Earth	"Мечте навстречу"Кинематографический Саундтрек "Towards a Dream" Cinematic Soundtrack	1963
6	Fly Me to the Moon	Patti Page	1963
7	Космические куплеты Space Satirical Verses	Павел Рудаков Pavel Rudakov	1963
8	Fly Me to the Moon	Perry Como	1963
9	Martian Hop	Ran-Dells	1963
10	Orbit With Me	Sonny Sheather	1963
11	Got a Rocket in My Pocket	Stan Beaver	1963
12	Vostok 5 - In Orbit	Mission Audio	1963
13	Vostok 6 - In Orbit	Mission Audio	1963
14	Частушки о космонавтах Ditties About the Cosmonauts	Тамара Гольцова, Екатерина Сонина, В. Суховеев (баян) - Частушки о космонавтах Tamara Gol'tsova, Yekaterina Sonina, V. Sukhoveyev (accordion)	1963
15	Life on Venus	Tornados	1963
16	Fly Me to the Moon	Shirley Bassey	1963
17	War of the Satellites	Ventures	1963
18	Voice of Space [Cosmic Tones for Mental Therapy]	Sun Ra	1963
19	Telstar Guitar	Virtues	1963
20	На Марсе будут яблоницвести On Mars There Will Be Apple Blossoms	Владимир Трошин Vladimir Troshin	1963
21	Звёздный вальс Stellar Waltz	Детский хор Children's Choir	1963
22	Валентина твист The Valentina Twist	Эдита Пьеха Edita P'ekha	1963
23	Remarks at the Dedication of the Aerospace Medical Health Center	John F. Kennedy	1963
24	Смотрит в небо звездолет Look at the Spaceship in the Sky	Евгений Кибкало Yevgenij Kibkalo	1963

The Popular Music of the Space Age: CD 12 (1963)

Популярная мусыка космического веча:
CD 12 (1963 г.)

The annual global celebration of "Yuri's Night," commemorating the April 1961 flight of Vostok 1, increases in popularity every year. As we enter the second half-century of human spaceflight, it is a time to reflect on the development of global space culture. It began in the 1950's as two distinct cultures--Soviet and American--reflecting the Cold War rivalry that fueled the Space Race. In the intervening decades there has been a blending of these two initial cultures, other nations have added their cultural voices, and the center of the emerging global space culture has shifted. National space cultures have displayed different emphases on science fiction and UFO themes versus devotion to national astronautic accomplishments. These and other factors may be leading cultural indicators of the vigour of national space efforts and their relevance to the global thrust into the final frontier.

The researcher seeks co-researchers with backgrounds in cultural anthropology and musicology with a strong interest in space history. Of particular interest is collaboration with researchers who are familiar with space-themed music from non-English speaking cultures.

At present, the music collection of nearly 1500 tracks is organized chronologically into 100 segments, each approximating the running time of a compact disc (CD), which include voice clips of important events to provide historical context. The play lists are being rolled out incrementally as research continues. Most of the music can be found online and downloaded free of charge. In addition, a library of song lyrics is in development.

This is music to fly to Mars by. If you listened to one hour every day, you would almost be there at the end of this collection!

CD 12

	Selection Title	Performer	Release Year
1	Я - Земля I Am Earth	Александра Пахмутова Alexandra Pakhmutova	1963
2	Fly Me to the Moon	Anita O'Day	1963
3	Eight Foot Two, Solid Blue	Allan Sherman	1963
4	Мечты юных космонавтов Dreams of the Young Cosmonauts	Ансамбль им. В. Локтева V. Lokteva and Ensemble	1963
5	Космические частушки Space Ditties	Ансамбль "Ярославскиеребята" "Yaroslavl Guys" Ensemble	1963
6	Moon Race	Citations	1963
7	Fly Me to the Moon	Bobby Darin	1963
8	Countdown	Crescendos	1963
9	Mercury Atlas 9 - Launch	Mission Audio	1963
10	Звездные капитаны Stellar Captains	Эмиль Горовец Emil' Gorovets	1963
11	Red Planet	Eric Dolphy	1963
12	Мечты юных космонавтов Dreams of the Young Cosmonauts	Группа солистов ансамбль им В.Локтева - Мечты юных космонавтов V. Loktev Group of Soloists Ensemble	1963
13	Fly Me to the Moon	Brenda Lee	1963
14	In First Orbit	Jean-Jacques Perrey	1963
15	Rocket Ride	Johnny Greco and the Four Epics	1963
16	Moon Dance	Sun Ra	1963
17	Fly Me to the Moon	Julie London	1963

The Popular Music of the Space Age: CD 11 (1962)

Популярная мусыка космического веча:
CD 11 (1962 г.)

The annual global celebration of "Yuri's Night," commemorating the April 1961 flight of Vostok 1, increases in popularity every year. As we enter the second half-century of human spaceflight, it is a time to reflect on the development of global space culture. It began in the 1950's as two distinct cultures--Soviet and American--reflecting the Cold War rivalry that fueled the Space Race. In the intervening decades there has been a blending of these two initial cultures, other nations have added their cultural voices, and the center of the emerging global space culture has shifted. National space cultures have displayed different emphases on science fiction and UFO themes versus devotion to national astronautic accomplishments. These and other factors may be leading cultural indicators of the vigour of national space efforts and their relevance to the global thrust into the final frontier.

The researcher seeks co-researchers with backgrounds in cultural anthropology and musicology with a strong interest in space history. Of particular interest is collaboration with researchers who are familiar with space-themed music from non-English speaking cultures.

At present, the music collection of nearly 1500 tracks is organized chronologically into 100 segments, each approximating the running time of a compact disc (CD), which include voice clips of important events to provide historical context. The play lists are being rolled out incrementally as research continues. Most of the music can be found online and downloaded free of charge. In addition, a library of song lyrics is in development.

This is music to fly to Mars by. If you listened to one hour every day, you would almost be there at the end of this collection!

CD 11

	Selection Title	Performer	Release Year
1	Fly Me to the Moon	Joe Harnell and His Orchestra	1962
2	Solar Race	Ventures	1962
3	Звёздный вальс Stellar Waltz	Нина Поставничева Nina Postavnicheva	1962
4	Moon Dawg	Ventures	1962
5	Rocket to the Moon	Reflections	1962
6	Signals From Saturn	Rose DuBats	1962
7	Fly Me to the Moon (In Other Words)	Roy Haynes Quartet	1962
8	Orbit Twist	Rufus Shoffner and Joyce Songer	1962
9	Martian Bossa Nova	Shorty Rogers and His Giants	1962
10	Rocket Man	Spotnicks	1962
11	Mercury Atlas 7 - Reentry	Mission Audio	1962
12	Moon Twist	Chuck Dallis	1962
13	Fly Me to the Moon	Dinah Washington	1962
14	Telstar	Tornados	1962
15	Spudnik	Ventures	1962
16	Vostok 3 - In Orbit	Mission Audio	1962
17	Vostok 3 and Vostok 4	Newsreel	1962
18	К звездам To the Stars	Владимир Отделенов Vladimir Otdelenov	1962
19	Fly Me to the Moon	Sarah Vaughn	1962
20	Mercury Atlas 8 - In Orbit	Mission Audio	1962
21	Moon Child	Ventures	1962
22	Песня космонавта (самодеятельность) Song of the Cosmonauts (amateur)	Владимир Царский и ВикторСеливанов, эстрадно-симфонический оркестр Всесоюзного радио и Центрального телевидения, дирижер Юрий Силантьев Vladimir Tsarskij and Victor Selivanov, Symphonic Orchestra of All-Union Radio and Central Television, conductor Yurij Silant'ev	1962
23	Космонавты The Cosmonauts	Ян Кратов Yan Kratov	1962
24	К дальиним планетам! To Distant Planets!	Евгений Кибалко и Владимир Отделенов Yevgenij Kibkalo and Vladimir Otdelenov	1962

The Popular Music of the Space Age: CD 10 (1962)

Популярная мусыка космического веча:
CD 10 (1962 г.)

The annual global celebration of "Yuri's Night," commemorating the April 1961 flight of Vostok 1, increases in popularity every year. As we enter the second half-century of human spaceflight, it is a time to reflect on the development of global space culture. It began in the 1950's as two distinct cultures--Soviet and American--reflecting the Cold War rivalry that fueled the Space Race. In the intervening decades there has been a blending of these two initial cultures, other nations have added their cultural voices, and the center of the emerging global space culture has shifted. National space cultures have displayed different emphases on science fiction and UFO themes versus devotion to national astronautic accomplishments. These and other factors may be leading cultural indicators of the vigour of national space efforts and their relevance to the global thrust into the final frontier.

The researcher seeks co-researchers with backgrounds in cultural anthropology and musicology with a strong interest in space history. Of particular interest is collaboration with researchers who are familiar with space-themed music from non-English speaking cultures.

At present, the music collection of nearly 1500 tracks is organized chronologically into 100 segments, each approximating the running time of a compact disc (CD), which include voice clips of important events to provide historical context. The play lists are being rolled out incrementally as research continues. Most of the music can be found online and downloaded free of charge. In addition, a library of song lyrics is in development.

This is music to fly to Mars by. If you listened to one hour every day, you would almost be there at the end of this collection!

CD 10

	Selection Title	Performer	Release Year
1	Countdown	Dave Brubeck	1962
2	Mercury Atlas 6 - Launch	Mission Audio	1962
3	Mercury Atlas 6 - Rev 1 Lights of Perth	Mission Audio	1962
4	Mercury Atlas 6 - End Rev 1 Flyby Wire	Mission Audio	1962
5	Mercury Atlas 6 - Begin Rev 2	Mission Audio	1962
6	Mercury Atlas 6 - Landing Bag Switch	Mission Audio	1962
7	Mercury Atlas 6 - Landing Bag Signal Test	Mission Audio	1962
8	Mercury Atlas 6 - Retro Pack Discussion	Mission Audio	1962
9	Mercury Atlas 6 - Leave Retro Pack On	Mission Audio	1962
10	Mercury Atlas 6 - Retrofire	Mission Audio	1962
11	Mercury Atlas 6 - Reestablished Communications	Mission Audio	1962
12	Ballad of John Glenn	Roy West and the Novelaires	1962
13	Happy Blues for John Glenn	Sam "Lightning" Hopkins	1962
14	Love Goddess of Venus	Ventures	1962
15	Песня космонавтов Song of the Cosmonauts	Евгений Кибкало Yevgenij Kibkalo	1962
16	Satellite	Andy Dio and the Hi-Ways	1962
17	Moon Twist	Billy Nix	1962
18	Песня ракетчиков Rocketeer Song	Борис Кузнецоб и ЛевПолосинn Boris Kuznetsov and Lev Polosin	1962
19	Portami con te Carry Me With You	Connie Francis	1962
20	Back to Earth	Dave Brubeck	1962
21	Rocket Ride	Dick Douglas	1962
22	Address at Rice University on the Nation's Space Program	John F. Kennedy	1962
23	Destination Moon	Dinah Washington	1962
24	Out of Limits	Ventures	1962
25	Monkey on the Moon	Gene Hall	1962
26	Fly Me to the Moon	Jack Jones	1962
27	Spaceship to Mars	Gene Vincent	1962
28	Countdown 4-3-2-1	Geno Lanzi	1962
29	Перед дальней дорогой Before a Long Journey	Иосиф Кобзон и космонавты Iosif Kobzon and the Cosmonauts	1962

The Popular Music of the Space Age: CD 9 (1961)

Популярная мусыка космического веча:
CD 9 (1961 г.)

The annual global celebration of "Yuri's Night," commemorating the April 1961 flight of Vostok 1, increases in popularity every year. As we enter the second half-century of human spaceflight, it is a time to reflect on the development of global space culture. It began in the 1950's as two distinct cultures--Soviet and American--reflecting the Cold War rivalry that fueled the Space Race. In the intervening decades there has been a blending of these two initial cultures, other nations have added their cultural voices, and the center of the emerging global space culture has shifted. National space cultures have displayed different emphases on science fiction and UFO themes versus devotion to national astronautic accomplishments. These and other factors may be leading cultural indicators of the vigour of national space efforts and their relevance to the global thrust into the final frontier.

The researcher seeks co-researchers with backgrounds in cultural anthropology and musicology with a strong interest in space history. Of particular interest is collaboration with researchers who are familiar with space-themed music from non-English speaking cultures.

At present, the music collection of nearly 1500 tracks is organized chronologically into 100 segments, each approximating the running time of a compact disc (CD), which include voice clips of important events to provide historical context. The play lists are being rolled out incrementally as research continues. Most of the music can be found online and downloaded free of charge. In addition, a library of song lyrics is in development.

This is music to fly to Mars by. If you listened to one hour every day, you would almost be there at the end of this collection!

CD 9

	Selection Title	Performer	Release Year
1	Solar Drums	Sun Ra	1961
2	Космические частушки Space Ditties	Клавдия Коток и В. Паршин (баян) Klavdiya Kotok and V. Parshin (accordion)	1961
3	Blast Off to Love	Jocko Henderson	1961
4	Special Address to Congress	John F. Kennedy	1961
5	Fly Me to the Moon	Nat King Cole	1961
6	Infinity of the Universe [Cosmic Tones For Mental Therapy/Art Forms Of Dimensions Tomorrow]	Sun Ra	1961
7	Родина слышит, родиназнает The Motherland Hears, the Motherland Knows	(неизвестный исполнитель) (unknown artist)	1961
8	Я - Земля I Am Earth	Ольга Воронец и Инстр.ансамбль Ol'ga Voronets and Ensemble	1961
9	Планета бурь Planet of Storms	"Планета бурь" кинематографический саундтрек "Planet of Storms" Cinematic Soundtrack	1961
10	Mercury Redstone 4 - Launch	Mission Audio	1961
11	Mercury Redstone 4 - Recovery, Part 1	NBC News	1961
12	Mercury Redstone 4 - Recovery, Part 2	NBC News	1961
13	Mercury Redstone 4 - Pow! The Hatch Went	NASA Press Conference	1961
14	Tapestry From an Asteroid [The Futuristic Sounds of Sun Ra]	Sun Ra	1961
15	Rocking on the Moon	Ronnie Sando	1961
16	Vostok 2	Newsreel	1961
17	Марш артиллерицов-космонавтов March of Artillery-Cosmonaut	Сводный Оркестр МВО Consolidated Orchestra MVO	1961
18	Man in Space	Vigilantes	1961
19	Я верю, друзя, караваныракет I Believe, My Friends, Caravans of Rockets	Владимир Трошин Vladimir Troshin	1961
20	Mercury Atlas 5	American Newsreel	1961
21	Mercury Atlas 5	Cameroonese Newsreel	1961
22	Space Jazz Reverie [The Futuristic Sounds of Sun Ra]	Sun Ra	1961

The Popular Music of the Space Age: CD 8 (1961)

Популярная мусыка космического веча:
CD 8 (1961 г.)

The annual global celebration of "Yuri's Night," commemorating the April 1961 flight of Vostok 1, increases in popularity every year. As we enter the second half-century of human spaceflight, it is a time to reflect on the development of global space culture. It began in the 1950's as two distinct cultures--Soviet and American--reflecting the Cold War rivalry that fueled the Space Race. In the intervening decades there has been a blending of these two initial cultures, other nations have added their cultural voices, and the center of the emerging global space culture has shifted. National space cultures have displayed different emphases on science fiction and UFO themes versus devotion to national astronautic accomplishments. These and other factors may be leading cultural indicators of the vigour of national space efforts and their relevance to the global thrust into the final frontier.

The researcher seeks co-researchers with backgrounds in cultural anthropology and musicology with a strong interest in space history. Of particular interest is collaboration with researchers who are familiar with space-themed music from non-English speaking cultures.

At present, the music collection of nearly 1500 tracks is organized chronologically into 100 segments, each approximating the running time of a compact disc (CD), which include voice clips of important events to provide historical context. The play lists are being rolled out incrementally as research continues. Most of the music can be found online and downloaded free of charge. In addition, a library of song lyrics is in development.

This is music to fly to Mars by. If you listened to one hour every day, you would almost be there at the end of this collection!

CD 8

	Selection Title	Performer	Release Year
1	Cluster of Galaxies [Art Forms of Dimensions Tomorrow]	Sun Ra	1961
2	Mercury Redstone 2 - The Story of Ham	Newsreel	1961
3	Ham the Space Monkey	Ray Allen and the Embers	1961
4	Man From Mars	Butch Paulson	1961
5	Concerto for the X-15	Elliott Evans	1961
6	First Man on Mars	Jackie Fautheree	1961
7	Kosmos in Blue [Art Forms of Dimensions Tomorrow]	Sun Ra	1961
8	Восток 1 - Переговоры межды Королёвым и Гагариным во время старта Vostok 1 - Conversation between Korolev and Gagarin during the launch	Mission Audio	1961
9	Восток 1 - Поехали! Vostok 1 - Let's Go!	Mission Audio	1961
10	Yurij Gagarin	ABC News	1961
11	Yurij Gagarin	Newsreel	1961
12	Марш космонавтов March of the Cosmonauts	Государственный оркестр кинематографии СССР USSR State Orchestra of Cinematography	1961
13	Славим мы тебя, славит всяземля We Praise You, Praise All the Earth	Гос. Русский нар. хор им.Пятницкого Pyatnitsky Russian Folk Choir	1961
14	Заря космического века Dawn of the Space Age	Георг Отс Gheorg Ots	1961
15	Lights of a Satellite [Art Forms of Dimensions Tomorrow]	Sun Ra	1961
16	Mercury Redstone 3 - Launch	Mission Audio	1961
17	Rocket Trip	Jackie Lowell	1961
18	People From Another World	Jive 5	1961
19	Solar Drums	Sun Ra	1961

The Popular Music of the Space Age: CD 7 (1960)

Популярная мусыка космического веча:
CD 7 (1960 г.)

The annual global celebration of "Yuri's Night," commemorating the April 1961 flight of Vostok 1, increases in popularity every year. As we enter the second half-century of human spaceflight, it is a time to reflect on the development of global space culture. It began in the 1950's as two distinct cultures--Soviet and American--reflecting the Cold War rivalry that fueled the Space Race. In the intervening decades there has been a blending of these two initial cultures, other nations have added their cultural voices, and the center of the emerging global space culture has shifted. National space cultures have displayed different emphases on science fiction and UFO themes versus devotion to national astronautic accomplishments. These and other factors may be leading cultural indicators of the vigour of national space efforts and their relevance to the global thrust into the final frontier.

The researcher seeks co-researchers with backgrounds in cultural anthropology and musicology with a strong interest in space history. Of particular interest is collaboration with researchers who are familiar with space-themed music from non-English speaking cultures.

At present, the music collection of nearly 1500 tracks is organized chronologically into 100 segments, each approximating the running time of a compact disc (CD), which include voice clips of important events to provide historical context. The play lists are being rolled out incrementally as research continues. Most of the music can be found online and downloaded free of charge. In addition, a library of song lyrics is in development.

This is music to fly to Mars by. If you listened to one hour every day, you would almost be there at the end of this collection!

CD 7

	Selection Title	Performer	Release Year
1	Space Aura [Music for Tomorrow's World]	Sun Ra	1960
2	Countdown	John Coltrane	1960
3	Cruise to the Moon	Chaperones	1960
4	Hot Rod Rocket	Charlie Ryan	1960
5	Rocket 69	Connie Allen and the Todd Rhodes Orchestra	1960
6	Invasion	Dovers	1960
7	Я верю, друзя, караваны ракет I Believe, My Friends, Caravans of Rockets	Георг Отс Gheorg Ots	1960
8	Rockin Moon Man	Hugh X. Lewis	1960
9	Countdown (alternate take)	John Coltrane	1960
10	Orbit Around the Moon	Joe Meek and the Blue Men	1960
11	Mercury Redstone 1A - Capsule Recovery Successful	Newsreel	1960
12	Get on the Moon Baby	Julian	1960
13	Moon Rocketin'	Les Vogt	1960
14	Fly Me to the Moon	Nancy Wilson	1960
15	Orbit	Paul Revere and the Raiders	1960
16	Fly Me to the Moon	Peggy Lee	1960
17	Rockin' Satellite	Ray Sawyer	1960
18	Rocket Ship	Vernon Green and the Medallions	1960
19	Tapestry From an Asteroid [Music for Tomorrow's World]	Sun Ra	1960
20	I'm Building a ?? (On the Moon)	Weldon Rogers	1960
21	Ночами долго курятастрономы Long Nights Astronomers Smoking	Юрий Визбор Yurij Vizbor	1960

The Popular Music of the Space Age: CD 6 (1959)

Популярная мусыка космического веча:
CD 6 (1959 г.)

The annual global celebration of "Yuri's Night," commemorating the April 1961 flight of Vostok 1, increases in popularity every year. As we enter the second half-century of human spaceflight, it is a time to reflect on the development of global space culture. It began in the 1950's as two distinct cultures--Soviet and American--reflecting the Cold War rivalry that fueled the Space Race. In the intervening decades there has been a blending of these two initial cultures, other nations have added their cultural voices, and the center of the emerging global space culture has shifted. National space cultures have displayed different emphases on science fiction and UFO themes versus devotion to national astronautic accomplishments. These and other factors may be leading cultural indicators of the vigour of national space efforts and their relevance to the global thrust into the final frontier.

The researcher seeks co-researchers with backgrounds in cultural anthropology and musicology with a strong interest in space history. Of particular interest is collaboration with researchers who are familiar with space-themed music from non-English speaking cultures.

At present, the music collection of nearly 1500 tracks is organized chronologically into 100 segments, each approximating the running time of a compact disc (CD), which include voice clips of important events to provide historical context. The play lists are being rolled out incrementally as research continues. Most of the music can be found online and downloaded free of charge. In addition, a library of song lyrics is in development.

This is music to fly to Mars by. If you listened to one hour every day, you would almost be there at the end of this collection!

CD 6

	Selection Title	Performer	Release Year
1	Plutonian Nights [The Nubians of Plutonia]	Sun Ra	1959
2	Fly Me to the Moon	April Stevens	1959
3	Space Walk	Bel Aires	1959
4	Little Martian	Jan Amber	1959
5	Rock on the Moon	Jimmy Stewart	1959
6	Cape Canaveral	Monte Mead	1959
7	Between Two Worlds [The Nubians of Plutonia]	Sun Ra	1959
8	Rock, Rock, Rocket Ship	Rockers	1959
9	Gonna Snatch Me a Satellite	Rockin' R's	1959
10	Introducing the Mercury Astronauts	NASA Press Conference	1959
11	Space Men	Velvetones	1959
12	Spacemen in Orbit	Speedy West	1959
13	Star Time [The Nubians of Plutonia]	Sun Ra	1959
14	Rocketship to the Moon	Tex Roe and the Ramblers	1959
15	Rocket to the Moon	Tommy Danton and the Echoes	1959
16	Пионер шагает по планете The Pioneer Is Sweeping the Planet	Ансамбль п-у им. В. Локтева V. Lokteva and Ensemble	c. 1960
17	Spaceship Life	Blackie Jenkins	c. 1960
18	Rocket to the Moon	Glen Holden's Astro-Notes	c. 1960
19	Satellite	Jenny Aguirre	c. 1960
20	Rockin' Rocket	Jimmy Neils	c. 1960
21	Light My Rockets	Neil Alan	c. 1960
22	Space Dance	Royce Simpson	c. 1960

Draft Treaty on the Prohibition of the Threat or Use of Force Against Outer Space Objects

TREATY ON THE PROHIBITION OF THE THREAT OR USE OF FORCE AGAINST OUTER SPACE OBJECTS

OPSA-2014-11

Proposed by Thomas Gangale
@ThomasGangale

16 June 2014

The States Parties to this treaty,

Guided by the goals of strengthening peace and international security,

Guided by the principle whereby Members of the United Nations shall refrain in their international relations from the threat or use of force in any manner inconsistent with the purposes of the United Nations,

Reaffirming that outer space is playing an ever-increasing role in the future development of mankind,

Emphasizing the right to explore and use outer space freely for peaceful purposes,

Interested in preventing outer space from becoming an arena for military confrontation and ensuring security in outer space and the undisturbed functioning of space objects,

Recalling the United Nations General Assembly resolution on “Prevention of an arms race in outer space”, affirmed in 31 consecutive years since 1981, in which, inter alia, the Assembly expressed conviction that further measures should be examined in the search for effective and verifiable bilateral and multilateral agreements in order to prevent an arms race in outer space,

Have agreed to the following:

ARTICLE 1

DEFINITIONS

Definitions of terms used in this Treaty and its Protocol are provided in Part 1 of the Protocol.

ARTICLE 2

THE THREAT OR USE OF FORCE AGAINST OUTER SPACE OBJECTS

States Parties undertake not to resort to the threat or use of force against outer space objects.

ARTICLE 3

PROHIBITED WEAPON SYSTEMS

1. States Parties undertake not to develop, test, or deploy anti-satellite weapon systems or components which are sea-based, air-based, space-based, or land-based, nor to develop, test, or deploy missile defense interceptor weapon systems or components which are sea-based, air-based, or land-based with burnout velocities greater than 3.5 kilometers per second, and to eliminate any such existing weapon systems, in accordance with the provisions of this Treaty, and shall carry out the other obligations set forth in this Treaty and its Protocol.

ARTICLE 4

INTERNATIONAL OBLIGATIONS

1. To ensure the viability and effectiveness of this Treaty, each State Party shall not assume any international obligations or undertakings that would conflict with its provisions. The States Parties shall not transfer anti-satellite weapons subject to this Treaty to third parties.

2. Each State Party shall take all necessary measures to prevent any activity prohibited by this Treaty on its territory or in any other place under its jurisdiction or control.

ARTICLE 5

STRATEGIC OFFENSIVE ARMS CONTROL

1. Nothing in this Treaty may be interpreted as limiting a State Party’s ICBMs and ICBM launchers, IRBMs and IRBM launchers, MRBMs and MRBM launchers, and SLBMs and SLBM launchers.

2. Nothing in this Treaty may be interpreted as derogating a States Party’s obligations to limit its ICBMs and ICBM launchers, IRBMs and IRBM launchers, MRBMs and MRBM launchers, and SLBMs and SLBM launchers pursuant to strategic offensive arms agreements to which it is party.

3. Each State Party shall declare the type and number of its ICBMs, IRBMs, MRBMs, and SLBMs for the purposed of inspection and the verification of the provisions of this Treaty.

4. Each State Party shall have the right to determine for itself the composition and structure of its strategic offensive arms.

5. ICBMs, IRBMs, MRBMs, SLBMs, ICBM launchers, IRBM launchers, MRBM launchers, and SLBM launchers shall cease to be subject to this Treaty in accordance with Parts 3 and 4 of the Protocol to this Treaty. ICBMs, IRBMs, MRBMs, or SLBMs of an existing type shall cease to be subject to this Treaty if all ICBM IRBM, MRBM, or SLBM launchers of a type intended for such ICBMs, IRBMs, MRBMs, or SLBMs have been eliminated or converted in accordance with Part 3 of the Protocol to this Treaty.

6. For the purposes of this Treaty:

(a) A missile of a type developed and tested solely to intercept and counter objects not located on the surface of the Earth shall not be considered to be a ballistic missile to which the provisions of this Treaty apply and shall be considered a missile defense interceptor.

(b) Within the same type, an aircraft equipped for missile defense interceptors or missile defense directed energy weapons shall be distinguishable from an aircraft not equipped for missile defense interceptors or missile defense directed energy weapons.

(c) Aircraft of the same type shall cease to be subject to this Treaty or to the limitations thereof when the last aircraft equipped for missile defense interceptors or missile defense directed energy weapons of that type is eliminated or converted, as appropriate, to an aircraft equipped for missile defense interceptors or missile defense directed energy weapons in accordance with Part 3 of the Protocol to this Treaty.

7. As of the date of signature of this Treaty:

(a) Existing types of ICBMs are:

1. for the United States of America, the Minuteman II, Minuteman III, and Peacekeeper;
   
   
2. for the Russian Federation, the RS-12M, RS-12M2, RS-18, RS-20, RS-24, and RT-2PM;
   
   
3. for the People’s Republic of China, the Dong Feng 31, Dong Feng 31A, and Dong Feng 5A.
   
   

(b) Existing types of IRBMs are:

1. for the Russian Federation, none;
   
   
2. for the United States of America, none;
   
   
3. for the People’s Republic of China, the Dong Feng 4 and Dong Feng 3A.
   

(c) Existing types of MRBMs are:

1. for the United States of America, none;
   
   
2. for the Russian Federation, none;
   
   
3. for the People’s Republic of China, the Dong Feng 21, Dong Feng 21A, and Dong Feng 21C.
   

(d) Existing types of SLBMs are:

1. for the Russian Federation, the RSM-50, RSM-52, RSM-54, and RSM-56;
   
   
2. for the United States of America, the Trident II;
   
   
3. for the People’s Republic of China, the Julang 1 and Julang 2.
   

(e) Existing types of ICBM launchers, IRBM launchers, MRBM launchers, and SLBM launchers are:

1. for the Russian Federation, ICBM launchers RS-12M, RS-12M2, RS-18, RS-20, RS-24, and RT-2PM; IRBM launchers none; MRBM launchers none; SLBM launchers RSM-50, RSM-52, RSM-54, and RSM-56;
   
   
2. for the United States of America, ICBM launchers Minuteman II, Minuteman III, and Peacekeeper; IRBM launchers none; MRBM launchers none; SLBM launchers Trident II;
   
   
3. for the People’s Republic of China, ICBM launchers Minuteman II, Minuteman III, and Peacekeeper; IRBM launchers Dong Feng  4 and Dong Feng  3A; MRBM launchers Dong Feng  21, Dong Feng  21A, and Dong Feng  21C; SLBM launchers Julang 1 and Julang 2.
   

(f) Existing types of missile defense interceptor aircraft are:

1. for the United States of America, [TBD];
2. for the Russian Federation, [TBD];
3. for the People’s Republic of China, [TBD].

(g) Existing types of missile defense directed energy weapon aircraft are:

1. for the United States of America, [TBD];
2. for the Russian Federation, [TBD];
3. for the People’s Republic of China, [TBD].

(h) Existing types of land-based missile defense interceptors are:

1. for the United States of America, Patriot, GBMDS, and THAAD;
2. for the Russian Federation, 53T6, A-135, S-300V, and S-400;
3. for the People’s Republic of China, DN-1, DN-2, KT-1, KT-1A, KT-409, KT-2, KT-2A, KT-3, and SC-19.

(i) Existing types of land-based missile defense directed energy weapons are:

1. for the United States of America, [TBD];
2. for the Russian Federation, [TBD];
3. for the People’s Republic of China, [TBD].

(j) Existing types of sea-based missile defense interceptors are:

1. for the United States of America, Aegis SM-2, Aegis SM-3;
2. for the Russian Federation, [TBD];
3. for the People’s Republic of China, [TBD].

(k) Existing types of sea-based missile defense directed energy weapons are:

1. for the United States of America, [TBD];
2. for the Russian Federation, [TBD];
3. for the People’s Republic of China, [TBD].

ARTICLE 6

DEPLOYMENT OF PERMITTED WEAPON SYSTEMS

1. Each State Party shall base:

(a) deployed launchers of ICBMs only at ICBM bases;

(b) deployed launchers of IRBMs only at IRBM bases;

(c) deployed launchers of MRBMs only at MRBM bases;

(d) deployed missile defense interceptor aircraft only at air bases;

(d) deployed missile defense directed energy weapon aircraft only at air bases;

(e) deployed launchers of land-based missile defense interceptors only at missile defense interceptor bases;

(f) deployed land-based missile defense directed energy weapons only at missile defense directed energy weapon bases.

2. Each State Party shall install deployed launchers of SLBMs only on ballistic missile submarines.

3. Each State Party shall install deployed launchers of sea-based missile defense interceptors only on the following class of naval vessels:

(a) for the People’s Republic of China, [TBD];

(b) for the United States of America, Ticonderoga-class guided-missile cruisers, Arleigh Burke class destroyers;

(c) for the Russian Federation, [TBD].

4. Each State Party shall install deployed sea-based missile defense directed energy weapons only on the following class of naval vessels:

(a) for the People’s Republic of China, [TBD];

(b) for the United States of America, [TBD];

(c) for the Russian Federation, [TBD].

5. Each State Party shall locate:

(a) non-deployed launchers of ICBMs only at ICBM bases, production facilities, ICBM loading facilities, repair facilities, storage facilities, conversion or elimination facilities, training facilities, test ranges, and space launch facilities. Mobile launchers of prototype ICBMs shall not be located at maintenance facilities of ICBM bases;

(b) non-deployed launchers of IRBMs only at IRBM bases, production facilities, IRBM loading facilities, repair facilities, storage facilities, conversion or elimination facilities, training facilities, test ranges, and space launch facilities. Mobile launchers of prototype IRBMs shall not be located at maintenance facilities of IRBM bases;

(c) non-deployed launchers of MRBMs only at MRBM bases, production facilities, MRBM loading facilities, repair facilities, storage facilities, conversion or elimination facilities, training facilities, test ranges, and space launch facilities. Mobile launchers of prototype MRBMs shall not be located at maintenance facilities of MRBM bases;

(d) non-deployed ICBMs, non-deployed IRBMs, non-deployed MRBMs, and non-deployed SLBMs only at, as appropriate, submarine bases, ICBM, IRBM, MRBM, or SLBM loading facilities, maintenance facilities, repair facilities for ICBMs, IRBMs, MRBMs, or SLBMs, storage facilities for ICBMs, IRBMs, MRBMs, or SLBMs, conversion or elimination facilities for ICBMs, IRBMs, MRBMs, or SLBMs, test ranges, space launch facilities, and production facilities. Prototype ICBMs, prototype IRBMs, prototype MRBMs, and prototype SLBMs, however, shall not be located at maintenance facilities of ICBM, IRBM, or MRBM bases or at submarine bases.

6. Non-deployed ICBMs, non-deployed IRBMs, non-deployed MRBMs, and non-deployed SLBMs as well as non- deployed mobile launchers of ICBMs, IRBMs, or MRBMs may be in transit. Each State Party shall limit the duration of each transit between facilities to no more than 30 days.

7. Test launchers of ICBMs, IRBMs, MRBMs, or SLBMs may be located only at test ranges.

8. Training launchers may be located only at ICBM, IRBM, or MRBM bases, training facilities, and test ranges. The number of silo training launchers located at each ICBM, IRBM, or MRBM base for silo launchers of ICBMs, IRBMs, or MRBMs shall not exceed one for each type of ICBM, IRBM, or MRBM specified for that ICBM, IRBM, or MRBM base.

9. Each State Party shall limit the number of test missile defense interceptor aircraft to no more than two.

10. Each State Party shall limit the number of test missile defense directed energy weapon aircraft to no more than two.

11. Each State Party shall base test missile defense interceptor aircraft only at missile defense interceptor aircraft flight test centers. Non-deployed missile defense interceptor aircraft other than test missile defense interceptor aircraft shall be located only at repair facilities or production facilities for missile defense interceptor aircraft.

12. Each State Party shall base test missile defense directed energy weapon aircraft only at missile defense directed energy weapon aircraft flight test centers. Non-deployed missile defense directed energy weapon aircraft other than test missile defense directed energy weapon aircraft shall be located only at repair facilities or production facilities for missile defense directed energy weapon aircraft.

13. Each State Party shall not carry out at an air base joint basing of aircraft equipped for missile defense interceptors or missile defense directed energy weapons and aircraft of the same type not equipped for missile defense interceptors or missile defense directed energy weapons, unless otherwise agreed by the States Parties.

14. Strategic offensive arms subject to this Treaty shall not be based outside the national territory of each State Party. The obligations provided for in this paragraph shall not affect the States Parties' rights in accordance with generally recognized principles and rules of international law relating to the passage of submarines or flights of aircraft, or relating to visits of submarines to ports of third States.

ARTICLE 7

PROHIBITION OF WEAPON SYSTEMS CONVERSION

1. Subject to the provisions of this Treaty, modernization and replacement of strategic offensive arms may be carried out.

2. When a State Party believes that a new kind of strategic offensive arm is emerging, that Party shall have the right to raise the question of such a strategic offensive arm for consideration in the Standing Consultative Commission.

3. Each State Party shall not convert and shall not use ICBM, IRBM, MRBM, and SLBM launchers for placement of anti-satellite weapons therein. Each State Party further shall not convert and shall not use launchers of missile defense interceptors for placement of anti-satellite weapons therein.

ARTICLE 8

THE STANDING CONSULTATIVE COMMISSION

To promote the objectives and implementation of the provisions of this Treaty, the States Parties hereby establish the Standing Consultative Commission, the authority and procedures for the operation of which are set forth in Part 6 of the Protocol to this Treaty.

ARTICLE 9

PROVISION OF DATA REGARDING PERMITTED WEAPON SYSTEMS

1. A database pertaining to the obligations under this Treaty shall be created in accordance with Parts 2 and 4 of the Protocol to this Treaty. Categories of data for this database are set forth in Part 2 of the Protocol to this Treaty.

2. Each State Party shall notify the other States Parties about changes in data and shall provide other notifications in a manner provided for in Part 4 of the Protocol to this Treaty.

3. Each State Party shall use the Nuclear Risk Reduction Centers in order to provide and receive notifications, unless otherwise provided for in this Treaty.

4. Each State Party may provide additional notifications on a voluntary basis, in addition to the notifications specified in paragraph 2 of this Article, if it deems this necessary to ensure confidence in the fulfillment of obligations assumed under this Treaty.

5. The States Parties shall hold consultations within the framework of the Standing Consultative Commission on releasing to the public data and information obtained during the implementation of this Treaty. The States Parties shall have the right to release to the public such data and information following agreement thereon within the framework of the Standing Consultative Commission. Each State Party shall have the right to release to the public data related to its respective strategic offensive arms.

6. Geographic coordinates relating to data provided for in Part 2 of the Protocol to this Treaty, unique identifiers, site diagrams of facilities provided by the States Parties pursuant to this Treaty, as well as coastlines and waters diagrams provided by the States Parties pursuant to this Treaty shall not be released to the public unless otherwise agreed by the States Parties within the framework of the Standing Consultative Commission.

7. Notwithstanding paragraph 5 of this Article, the aggregate numbers of deployed ICBMs, deployed SLBMs, deployed IRBMs, and deployed MRBMs; the aggregate numbers of warheads on deployed ICBMs, deployed SLBMs, deployed IRBMs, and deployed MRBMs; and the aggregate numbers of deployed and non- deployed ICBM launchers, deployed and non-deployed SLBM launchers, deployed and non-deployed IRBM launchers, and deployed and non-deployed MRBMs, may be released to the public by the States Parties.

ARTICLE 10

EXCHANGE OF INFORMATION REGARDING LAUNCHES

By mutual agreement of the States Parties, telemetric information on launches of ICBMs, IRBMs, SLBMs, and missile defense interceptors shall be exchanged on a parity basis. The States Parties shall agree on the amount of exchange of such telemetric information.

ARTICLE 11

VERIFICATION

1. Verification of compliance with the provisions this Treaty shall be carried out by:

(a) national technical means of verification in accordance with Paragraphs 2 and 3 of this Article; and

(b) inspection activities as provided for in Article 12 of this Treaty.

2. For the purpose of ensuring verification of compliance with the provisions of this Treaty, each State Party undertakes:

(a) to use national technical means of verification at its disposal in a manner consistent with generally recognized principles of international law;

(b) not to interfere with the national technical means of verification of the other State Party operating in accordance with this Article; and

(c) not to use concealment measures that impede verification, by national technical means of verification, of compliance with the provisions of this Treaty.

3. The obligation not to use concealment measures includes the obligation not to use them at test ranges, including measures that result in the concealment of ICBMs, SLBMs, missile defense interceptors, ICBM launchers, or the association between ICBMs, IRBMs, SLBMs, or missile defense interceptors and their launchers during testing. The obligation not to use concealment measures shall not apply to cover or concealment practices at ICBM bases or to the use of environmental shelters for strategic offensive arms.

ARTICLE 12

INSPECTIONS

1. For the purpose of confirming the accuracy of declared data on strategic offensive arms and missile defense interceptors subject to this Treaty and ensuring verification of compliance with the provisions of this Treaty, each State Party shall have the right to conduct inspection activities in accordance with this Article and Part 5 of the Protocol to this Treaty.

2. Each State Party shall have the right to conduct inspections at ICBM bases, naval bases, missile defense interceptor sites, and air bases. The purpose of such inspections shall be to assure the nonexistence of anti-satellite weapons prohibited by this Treaty. Such inspections shall hereinafter be referred to as Type One inspections.

3. Each State Party shall have the right to conduct inspections at facilities listed in Section 7 of Part 5 of the Protocol to this Treaty. The purpose of such inspections shall be to assure the nonexistence of anti-satellite weapons prohibited by this Treaty and to confirm that strategic offensive arms have not been converted as anti-satellite weapons, or that such converted weapons have been eliminated.

In addition, each State Party shall have the right to conduct inspections at formerly declared facilities, which are provided for in Part 2 of the Protocol to this Treaty, to confirm that such facilities are not being used for purposes inconsistent with this Treaty.
The inspections provided for in this paragraph shall hereinafter be referred to as Type Two inspections.

4. Each State Party shall conduct exhibitions and have the right to participate in exhibitions conducted by the other States Parties. The purpose of such exhibitions shall be to demonstrate distinguishing features and to confirm technical characteristics of new types, and to demonstrate the results of conversion of the first item of each type of strategic offensive arms and missile defense interceptors subject to this Treaty.

ARTICLE 13

RIGHTS OF STATES

1. Nothing in this Treaty may be interpreted as impeding the exercise by the States Parties of their right to explore and use outer space for peaceful purposes in accordance with international law, including the Charter of the United Nations and the Treaty on Principles Governing the Activities of States in the Exploration and Use of Outer Space, including the Moon and Other Celestial Bodies.

2. Nothing in this Treaty may be interpreted as impeding the exercise by the States Parties of their right of self-defense in accordance with Article 51 of the Charter of the United Nations.

ARTICLE 14

DURATION

The Treaty shall be of unlimited duration.

ARTICLE 15

RATIFICATION AND ENTRY INTO FORCE

1. This Treaty, including its Protocol, which is an integral part thereof, shall be subject to ratification in accordance with the constitutional procedures of each Party. This Treaty shall enter into force on the date of the exchange of instruments of ratification among the People’s Republic of China, the Russian Federation, and the United States of America.

2. This Treaty shall remain open for accession by States. The instruments of accession shall be deposited with the Secretary-General of the United Nations.

ARTICLE 16

RESERVATIONS AND DECLARATIONS

1. No reservations may be made to this Treaty.

2. Paragraph 1 of this Article does not preclude a State, when signing, ratifying or acceding to this Treaty, from making declarations or statements, however phrased or named, with a view, inter alia, to the harmonization of its laws and regulations with the provisions of this Treaty, provided that such declarations or statements do not purport to exclude or to modify the legal effect of the provisions of this Treaty in their application to that State.

ARTICLE 17

ACCESSION

1. For States whose instruments of ratification or accession are deposited after the entry into force of the Treaty, it shall enter into force on the date of the deposit of their instruments of ratification or accession.

2. The Secretary-General of the United Nations shall promptly inform all signatory and acceding States of the date of each signature, the date of deposit of each instrument of ratification and accession, the date of entry into force of this treaty as well as other notices.

ARTICLE 18

DEPOSITARY

1. The Secretary-General of the United Nations shall be the Depositary of this Treaty and shall receive signatures, instruments of ratification and instruments of accession.

2. The Depositary shall promptly inform all States Signatories and acceding States of the date of each signature, the date of deposit of each instrument of ratification or accession, the date of the entry into force of this Treaty and of any amendments and changes thereto, and the receipt of other notices.

3. The Depositary shall send duly certified copies of this Treaty to the Governments of the States Signatories and acceding States.

4. This Treaty shall be registered by the Depositary pursuant to Article 102 of the Charter of the United Nations.

ARTICLE 19

AMENDMENTS

1. At any time after the entry into force of this Treaty, any State Party may propose amendments to this Treaty, the Protocol, or the Annexes to the Protocol. Any State Party may also propose changes, in accordance with paragraph 7, to the Protocol or the Annexes thereto. Proposals for amendments shall be subject to the procedures in paragraphs 2 to 6.

2. The proposed amendment shall be considered and adopted only by an Amendment Conference.

3. Any proposal for an amendment shall be communicated to the Secretary-General of the United Nations, who shall circulate it to all States Parties and seek the views of the States Parties on whether an Amendment Conference should be convened to consider the proposal. If a majority of the States Parties notify the Secretary-General no later than 30 days after its circulation that they support further consideration of the proposal, the Secretary-General shall convene an Amendment Conference to which all States Parties shall be invited.

4. The Amendment Conference shall be held immediately following a regular session of the Conference unless all States Parties that support the convening of an Amendment Conference request that it be held earlier. In no case shall an Amendment Conference be held less than 60 days after the circulation of the proposed amendment.

5. Amendments shall be adopted by the Amendment Conference by a positive vote of a majority of the States Parties with no State Party casting a negative vote.

6. Amendments shall enter into force for all States Parties 30 days after deposit of the instruments of ratification or acceptance by all those States Parties casting a positive vote at the Amendment Conference.

7. If it becomes necessary to make changes to the Protocol to this Treaty that do not affect substantive rights or obligations under this Treaty, the States Parties shall use the Standing Consultative Commission to reach agreement on such changes, without resorting to the procedure for making amendments that is set forth in foregoing paragraphs of this Article.

ARTICLE 20

WITHDRAWAL

1. Each State Party shall, in exercising its national sovereignty, have the right to withdraw from this Treaty if it decides that extraordinary events related to the subject matter of this Treaty have jeopardized its supreme interests.

2. Withdrawal shall be effected by giving notice six months in advance to all other States Parties, the Secretary-General of the United Nations and the United Nations Security Council. Notice of withdrawal shall include a statement of the extraordinary event or events which a State Party regards as jeopardizing its supreme interests.

ARTICLE 21

AUTHORITATIVE TEXTS

This Treaty, of which the Chinese, English, and Russian texts are equally authentic, shall be deposited with the Secretary-General of the United Nations.

Draft Protocol to the Treaty on the Prohibition of the Threat or Use of Force Against Outer Space Objects
OPS-Alaska Proposes Space Weapons Treaty
Propaganda Weapons vs. Space Weapons

Thomas Gangale in Outer Space! 

   

The Popular Music of the Space Age: CD 5 (1958)

Популярная мусыка космического веча:
CD 5 (1958 г.)

The annual global celebration of "Yuri's Night," commemorating the April 1961 flight of Vostok 1, increases in popularity every year. As we enter the second half-century of human spaceflight, it is a time to reflect on the development of global space culture. It began in the 1950's as two distinct cultures--Soviet and American--reflecting the Cold War rivalry that fueled the Space Race. In the intervening decades there has been a blending of these two initial cultures, other nations have added their cultural voices, and the center of the emerging global space culture has shifted. National space cultures have displayed different emphases on science fiction and UFO themes versus devotion to national astronautic accomplishments. These and other factors may be leading cultural indicators of the vigour of national space efforts and their relevance to the global thrust into the final frontier.

The researcher seeks co-researchers with backgrounds in cultural anthropology and musicology with a strong interest in space history. Of particular interest is collaboration with researchers who are familiar with space-themed music from non-English speaking cultures.

At present, the music collection of nearly 1500 tracks is organized chronologically into 100 segments, each approximating the running time of a compact disc (CD), which include voice clips of important events to provide historical context. The play lists are being rolled out incrementally as research continues. Most of the music can be found online and downloaded free of charge. In addition, a library of song lyrics is in development.

This is music to fly to Mars by. If you listened to one hour every day, you would almost be there at the end of this collection!

CD 5

	Selection Title	Performer	Release Year
1	Satellite Rock	Jimmy Copeland and the J-Teens	1958
2	Gonna Ride That Satellite	Jimmy Gartin	1958
3	I Got a Rocket in My Pocket	Jimmy Lloyd	1958
4	Satellite Rock	Joe Tate and the Hi Fives	1958
5	Little Moon Men	Lee George	1958
6	Rocket to the Moon	Lenny Welch	1958
7	Rocket Number Nine Take Off forthe Planet Venus [Visits Planet Earth/Interstellar Low Ways]	Sun Ra	1958
8	Gonna Get Me a Satellite	Little Ernest Tucker	1958
9	Satellite Fever and the AsiaticFlu	Lonnie Miley	1958
10	Flying Saucer Rock N Roll	Love Brothers	1958
11	Межпланетные частушки Interplanetary Ditties	Мария Мордасова и Воронежский РНХ Mariya Mordasova and Voronezhskij RNKh	1958
12	Rock Old Sputnick	Nelson Young	1958
13	Atlas in Orbit (Project SCORE)	Newsreel	1958
14	Jupiter C	Pat and the Satellites	1958
15	Satellite Fever and the Asiatic Flu	Paul Perryman	1958
16	Somewhere in Space [VisitsPlanet Earth/Interstellar Low Ways]	Sun Ra	1958
17	Sputniks and Mutniks	Ray Anderson and the Homefolks	1958
18	Satellite Rock	Rebelaires	1958
19	Saturn [Visits PlanetEarth/Interstellar Low Ways]	Sun Ra	1958
20	Venus Rock	Roulettes	1958
21	Purple People Eater	Sheb Wooley	1958
22	Rockin' Space Girl	Jimmy Grubbs	1958
23	Rockin' on Mars	Terry Dunavan	1958
24	Rocket Ship	Tommy McCook	1958
25	Blast Off	Tyrones	1958
26	Martian Band	Wild Tones	1958

Проект Конвенциа об охране культурного наследия Солнечная Система, Приложение 1

ПРОЕКТ КОНВЕНЦИА ОБ ОХРАНЕ КУЛЬТУРНОГО НАСЛЕДИЯ СОЛНЕЧНАЯ СИСТЕМА

OPSA-2014-06

Proposed by Thomas Gangale
@ThomasGangale

2014

ПРИЛОЖЕНИЕ 1

ПРАВИЛА, КАСАЮЩИЕСЯ ДЕЯТЕЛЬНОСТИ, НАПРАВЛЕННОЙ НА КУЛЬТУРНОЕ НАСЛЕДИЕ СОЛНЕЧНОЙ СИСТЕМЫ

I. ОБЩИЕ ПРИНЦИПЫ

Правило 1. Приоритетным вариантом охраны культурного наследия Солнечной Системы считается возможность его сохранения in situ. Соответственно, разрешения на деятельность, направленную на культурное наследие Солнечной Системы, выдаются таким образом, который соответствует задачам охраны этого наследия, и при условии соблюдения настоящего требования эта деятельность может быть разрешена в целях значительного содействия охране или вклада в расширение знаний о культурном наследии Солнечной Системы или повышения его значимости.

Правило 2. Коммерческая эксплуатация культурного наследия Солнечной Системы в целях торговли или спекуляции или его безвозвратное рассредоточение в корне несовместимы с охраной и надлежащим управлением культурным наследием Солнечной Системы. Kультурное наследие Солнечной Системыне является предметом торговли, купли, продажи или бартера в качестве товара, имеющего коммерческую ценность.

Настоящее правило не может толковаться как запрещающее:

(a) предоставление услуг профессиональных археологов или других необходимых услуг, характер и цель которых полностью соответствуют настоящей Конвенции и которые осуществляются на основании разрешения компетентных ведомств;

(b) помещение на хранение культурного наследия Солнечной Системы, извлеченного в ходе исследовательского проекта в соответствии с настоящей Конвенцией, при условии, что такое помещение на хранение не наносит ущерба научной или культурной ценности или целостности извлеченных объектов и не ведет к их безвозвратному рассредоточению, что оно соответствует положениям правил 33 и 34 и осуществляется на основании разрешения компетентных ведомств.

Правило 3. Деятельность, направленная на культурное наследие Солнечной Системы, не должна оказывать большего негативного воздействия на культурное наследие Солнечной Системы, чем это необходимо для целей проекта.

Правило 4. В ходе деятельности, направленной на культурное наследие Солнечной Системы, используются методы неразрушительного обращения и обследования, которые более предпочтительны, чем извлечение объектов. Если раскопки или извлечение необходимы в целях научного изучения или последующей охраны культурного наследия Солнечной Системы, используемые методы и технология должны быть в максимально возможной степени неразрушительными и содействовать обеспечению сохранности останков.

Правило 5. При осуществлении деятельности, направленной на культурное наследие Солнечной Системы, не должен без необходимости нарушаться покой человеческих останков и мест, являющихся объектом поклонения.

Правило 6. Деятельность, направленная на культурное наследие Солнечной Системы, строго регламентируется, с тем чтобы обеспечить надлежащий учет собираемой культурной, исторической и археологической информации.

Правило 7. Поощряется доступ общественности к культурному наследию Солнечной Системы in situ за исключением случаев, когда такой доступ не совместим с задачами охраны и управления.

Правило 8. Поощряется международное сотрудничество в осуществлении деятельности, направленной на культурное наследие Солнечной Системы, с тем чтобы содействовать эффективному обмену и использованию знаний археологов и других соответствующих специалистов.

II. ПРОЕКТНАЯ ДОКУМЕНТАЦИЯ

Правило 9. До начала любой деятельности, направленной на культурное наследие Солнечной Системы, готовится проектная документация, представляемая компетентным ведомствам для получения разрешения и соответствующей экспертной оценки.

Правило 10. В проектную документацию включается:

(a) оценка предыдущих исследований или предварительной работы;

(b) изложение содержания проекта и его целей;

(c) подлежащие использованию методология и технические средства;

(d) план финансирования;

(e) предполагаемый график осуществления проекта;

(f) состав группы, а также квалификация, обязанности и опыт каждого члена группы;

(g) планы аналитической и другой деятельности по окончании работ на объекте;

(h) программа консервации артефактов и объекта, подлежащая разработке в тесном сотрудничестве с компетентными ведомствами;

(i) политика управления объектом и его содержания в порядке на весь период осуществления проекта;

(j) программа документального обеспечения;

(k) техника безопасности;

(l) охрана окружающей среды;

(m) договоренности о сотрудничестве с музеями и другими учреждениями, в частности научными;

(n) порядок подготовки отчетов;

(o) сдача на архивное хранение, в том числе извлеченного культурного наследия Солнечной Системы; и

(p) план публикаций.

Правило 11. Деятельность, направленная на культурное наследие Солнечной Системы, должна осу ществляться в соответствии с проектной документацией, утвержденной компетентными ведомствами.

Правило 12. В случае непредвиденного обнаружения или изменения обстоятельств проектная документация пересматривается и в нее с одобрения компетентных ведомств вносятся изменения.

Правило 13. В случаях крайней необходимости или при случайном обнаружении в целях охраны культурного наследия Солнечной Системы может быть разрешена даже в отсутствие проектной документации деятельность, направленная на культурное наследие Солнечной Системы, включая меры по консервации или деятельность краткосрочного характера, в особенности, по обеспечению его стабильного состояния.

III. ПРЕДВАРИТЕЛЬНАЯ РАБОТА

Правило 14. Предварительная работа, указанная в правиле 10 (а), включает оценку, которая определяет значимость и степень уязвимости культурного наследия Солнечной Системы и окружающей природной среды в связи с возможным ущербом в результате реализации предлагаемого проекта, а также возможность получения данных, которые отвечали бы целям проекта.

Правило 15. Такая оценка включает также предварительное изучение доступных исторических и археологических сведений, археологических и экологических характеристик объекта и последствий любого потенциального вмешательства с точки зрения долгосрочного сохранения в стабильном состоянии культурного наследия Солнечной Системы, затронутого деятельностью.

IV. ЦЕЛЬ, МЕТОДОЛОГИЯ И ТЕХНИЧЕСКИЕ СРЕДСТВА ОСУЩЕСТВЛЕНИЯ ПРОЕКТА

Правило 16. Методология должна соответствовать целям проекта, а используемые технические средства должны носить, по возможности, наименее интрузивный характер.

V. ФИНАНСИРОВАНИЕ

Правило 17. За исключением чрезвычайных ситуаций, вызванных необходимостью охраны культурного наследия Солнечной Системы, заблаговременно до проведения любой деятельности обеспечивается надлежащее финансирование в объеме, достаточном для осуществления всех стадий проекта, включая консервацию, документирование и хранение извлеченных артефактов, а также подготовку и распространение отчетов.

Правило 18. Проектная документация содержит подтверждение способности профинансировать проект вплоть до его завершения, как, например, финансовая гарантия.

Правило 19. Проектная документация содержит план действий на случай непредвиденных обстоятельств, обеспечивающий консервацию культурного наследия Солнечной Системы и относящейся к нему документации в случае любого приостановления предусмотренного финансирования.

VI. СРОКИ ОСУЩЕСТВЛЕНИЯ ПРОЕКТАГРАФИК

Правило 20. Для того чтобы гарантировать осуществление всех стадий проекта, заблаговременно до начала любой деятельности, направленной на культурное наследие Солнечной Системы, составляется надлежащий график с указанием сроков консервации, документирования и хранения извлеченного культурного наследия Солнечной Системы, а также подготовки и распространения отчетов.

Правило 21. Проектная документация содержит план действий на случай непредвиденных обстоятельств, обеспечивающий консервацию культурного наследия Солнечной Системыи относящейся к нему документации в случае любого приостановления или прекращения проекта.

VII. НАУЧНАЯ КОМПЕТЕНТНОСТЬ И КВАЛИФИКАЦИЯ

Правило 22. Деятельность, направленная на культурное наследие Солнечной Системы, осуществляется только под руководством и контролем, а также при регулярном присутствии квалифицированного специалиста по археологии Солнечной Системы, научная компетентность которого соответствует проекту.

Правило 23. Все лица, входящие в состав группы, осуществляющей проект, обладают квалификацией и подтвержденной компетентностью, которые соответствуют их функциям в рамках проекта.

VIII. КОНСЕРВАЦИЯ И УПРАВЛЕНИЕ ОБЪЕКТОМ

Правило 24. Программа консервации предусматривает порядок обращения с археологическими объектами в ходе деятельности, направленной на культурное наследие Солнечной Системы, во время их транспортировки и в долгосрочном плане. Консервация осуществляется в соответствии с действующими профессиональными нормами.

Правило 25. Программа управления объектом предусматривает охрану и управление in situ культурным наследием Солнечной Системы в ходе и по окончании работ на объекте. Программа включает информирование общественности, разумные меры по обеспечению стабильности объекта, мониторинг и защиту от вмешательства.

IX. ДОКУМЕНТАЛЬНОЕ ОБЕСПЕЧЕНИЕ

Правило 26. Программа документального обеспечения предусматривает в соответствии с профессиональными нормами, действующими в отношении археологической документации, подробное документирование, включая отчет о ходе осуществления деятельности, направленной на культурное наследие Солнечной Системы.

Правило 27. Документальное обеспечение включает, как минимум, подробное описание объекта, включая происхождение культурного наследия Солнечной Системы, перенесенного или извлеченного в ходе деятельности, направленной на культурное наследие Солнечной Системы, полевые записи, планы, чертежи, сечения, а также фотографии или записи на других носителях.

X. БЕЗОПАСНОСТЬ

Правило 28. Разрабатывается адекватная техника безопасности, соответствующая всем применимым нормативным и профессиональным требованиям, с целью обеспечения безопасности и здоровья членов группы, которая осуществляет проект, и третьих лиц.

XI. ОКРУЖАЮЩАЯ СРЕДА

Правило 29. Разрабатываются меры по охране окружающей среды, адекватным образом обеспечивающие, чтобы дно морей и морские организмы не подвергались неоправданному воздействию.

XII. ОТЧЕТНОСТЬ

Правило 30. Промежуточный и заключительный отчеты предоставляются в соответствии с графиком, предусмотренным проектной документацией, и сдаются на хранение в соответствующие публичные архивные службы.

Правило 31. Отчеты включают:

(a) изложение целей;

(b) изложение использованных методов и технических средств;

(c) изложение достигнутых результатов;

(d) основную графическую и фотографическую документацию по всем фазам деятельности;

(e) рекомендации в отношении консервации и хранения объекта и любого перемещенного культурного наследия Солнечной Системы; и

(f) рекомендации в отношении будущей деятельности.

XIII. ХРАНЕНИЕ ПРОЕКТНЫХ АРХИВОВ

Правило 32. Вопросы хранения проектных архивов согласовываются до начала любой деятельности и включаются в проектную документацию.

Правило 33. Проектные архивы, включая любое перемещенное культурное наследие Солнечной Системы и экземпляр всей относящейся к этому документации, хранятся, насколько это возможно, в одном месте и в полном объеме в качестве коллекции таким образом, который обеспечивает их доступность для специалистов и общественности, а также сохранность архива. Это должно быть сделано как можно быстрее и в любом случае не позднее, чем через 10 лет после завершения проекта, насколько это может быть совместимо с целями консервации культурного наследия Солнечной Системы.

Правило 34. Управление проектными архивами осуществляется в соответствии с международными профессиональными нормами и под руководством компетентных ведомств.

XIV. РАСПРОСТРАНЕНИЕ

Правило 35. Просвещение общественности и представление результатов проекта в популярной форме, когда это возможно, являются одной из целей проекта.

Правило 36. Заключительный сводный доклад по проекту:

(a) публикуется с учетом сложности проекта и конфиденциальности или деликатного характера информации в возможно короткие сроки; и

(b) сдается на хранение в соответствующие публичные архивные службы. 

Thomas Gangale in Outer Space!